To decide what Gob’s bad impression of a chicken might be, Arnett consulted on set in 2003 with series executive producers Mitch Hurwitz and James Vallely. They all tried out different versions for each other. “Jimmy started doing a little bit, then Mitch got up and did some, and then I began trying things,” remembers Arnett. “Picture three grown men hopping around, working out what it would be … They were pitching this really taunting dance, but I wanted to give it this very sharp, almost roosterlike, chest-sticking-out mannerism, like a real macho bravado dance.” And how did clapping get introduced to the move? “Because I wanted it to be only sort of threatening.”

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